About The Art

Mandala dot painting is not just an art form; it is a timeless tradition that spans cultures and ages. As noted by Google AI, the mandala has its roots in Buddhist monasteries in India dating back to the 4th century, where monks originally crafted these intricate designs to aid in their journey toward enlightenment. For me, this practice serves as a peaceful, meditative outlet that cultivates patience through its rhythmic repetition. As each dot is placed, the piece slowly reveals itself, showcasing the endless possibilities in design.

My artistic journey took an exciting turn when I began painting on record albums, inspired by a friend's suggestion. This innovative fusion of music and art adds a deeply personal and emotive dimension to my work. When individuals encounter my booth at events, they are immediately captivated, often exclaiming, "How beautiful!" However, once they recognize that the artwork adorns a record album, their curiosity ignites, drawing them in to explore further. This moment frequently sparks nostalgic memories of concerts, gatherings, and treasured moments associated with the music, allowing people to reminisce about the joy of shared experiences.

I deliberately select albums that not only have unique labels but also belong to a diverse range of musical artists. While painting, I immerse myself in the music of the album, which has allowed me to reconnect with beloved tunes from my youth and discover new talents. This exploration has expanded my musical repertoire and enriched my artistic process, making me feel as if I am on my own path toward enlightenment.

I source my music from a variety of outlets, enhancing my knowledge of different genres and artists. After selecting an album, I carefully study its label and cover to determine the most suitable color palette—a phase I particularly enjoy and excel in. With my materials prepared, I don my headphones, play the music from YouTube, and make the first dot on the blank canvas.

Creating mandala art does involve some mathematical precision for achieving symmetry, yet I perceive this as an intriguing challenge, rather than a deterrent. Each piece typically requires 8 to 10 hours, often completed over several sessions. The artwork naturally evolves as the music flows, allowing me to connect with the recording artists as I would with the previous homeowners of the properties I have renovated. Though I may never meet them, I uncover clues about their lives, dreams, and struggles, which inspire my work until I feel the piece is complete.

I take pride in my thoughtful approach, resisting the urge to rush the process. After finishing the painting, I allow it to dry for at least two days, ensuring it is thoroughly dried before I proceed. I then seal it with a clear finish, which requires additional drying time.

Finally, framing is an essential step in presenting the artwork. I find that a sleek black frame with a black background often best highlights the piece, though I remain open to alternatives that different works may require. All finished pieces are framed under glass and equipped with a dust cover and wire hanger on the back, ready for display at a show or for delivery to the commissioning individual. By choosing my work, customers are not merely acquiring art; they are embracing an experience, a story, and a connection to the rich heritage of music and visual artistry.

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